Album ‘In Our Heads’ followed in 2012 and has been their most acclaimed album to date. The tour featured the bands biggest headline shows yet at Lovebox and Bestival in the UK, Sonar and Primavera in Spain, Les Inrocks in France, Falls and Field Day in Australia and Celebrate Brooklyn, the Roseland Ballroom and the Hollywood Bowl in the U.S..
Since their official formation in 2000 by old school friends Alexis Taylor and Joe Goddard, the Grammy and Mercury nominated Hot Chip have constantly pushed the boundaries of what pop music can be. In 2003 they signed to Moshi Moshi and 2004 saw the release of Hot Chip’s first studio album Coming On Strong, an ambitious record that displayed a distinct aversion to the aggressive nature of processed digital dance music and instead reintroduced listeners to its humanity and original spirit . They were later joined by Felix Martin (programming/ synths,) Al Doyle (cello, synths, guitar, horn) and Owen Clarke (guitar, synths & visual artist) who each brought their own unique skills to complete the indefatigable five headed pop colossus. At this point the newly formed quintet signed a U.S and U.K record deal with DFA records and EMI.
2006 saw the release of their second album The Warning, which was nominated for both The Mercury Prize and a Grammy award. This album presented Hot Chip’s easy, accessible eclecticism and established a signature pop aesthetic entailing wild electronics, off kilter beats and uniquely intoxicating musical experimentation. The Warning was followed in 2007 by Made in the Dark, a gold-selling, third studio album that was awash with Hot Chip’s trademark creative bravery. The finished record was an up-front, coherent and melodically bold testament to Hot Chip’s creative talent.
After completing a world tour in 2009 they returned to London to record their fourth album, One Life Stand, which was released in 2010 by Parlophone Records. True to their signature style, the finished album adeptly presented infectious dance floor fillers alongside songs of intimacy and melancholy. For the album they enlisted the considerable talents of two legendary innovators in their fields: Fimber Bravo ( Steel n’ Skin,) on steel pans and Charles Hayward (The Heat) on drums. Hot Chip supported the release of this album by returning to the live arena with a sell out, critically acclaimed UK tour supported by Norwegian electro-troupe CassioKids as well as one man electronic troubadour Rob Smoughton aka Grovesnor. The tour culminated in a special late-nighter in Brixton with special guests Simian Mobile Disco, Spring Heel Jack and Zongamin.
The band is also known for its DJ talent, DJing regularly worldwide and having released several mix CDs, including 2007’s DJ Kicks album, 2009’s Hot Chip A Bugged Out Mix, as well as remixes of tracks by the likes of Gorillaz, Amy Winehouse, Kraftwerk, Queens of the Stoneage and Matthew Dear to name but a few.
Having already stormed Glastonbury as penultimate headliners on the ‘Other Stage,’ In 2010 the band united with long term friends and pioneering musical comrades LCD Soundsystem to play a series of co-headline shows in U.S and U.K. including a sold-out show at the Alexandra Palace in London.
‘In Our Heads’ followed in 2012 and has been their most acclaimed album to date including new live staples ‘Flutes’, ‘Night & Day’ and ‘Let Me Be Him’. The tour featured the bands biggest headline shows yet at Lovebox and Bestival in the UK, Sonar and Primavera in Spain, Les Inrocks in France, Falls and Field Day in Australia and Celebrate Brooklyn, the Roseland Ballroom and the Hollywood Bowl in the U.S..
Away from Hot Chip, Alexis has toured and released two albums with About Group (featuring members of Spiritualized and This Heat) as well as an EP of his own, ‘Nayim From The Halfway Line’, prior to recording a new solo album, ‘Await Barbarians’, which was released on Domino June 16th 2014. He has also found time to make music with techno producer Justus Kohncke as Fainting By Numbers and collaborate with Jeff Tweedy from Wilco and Mike Mills from REM on a Big Star tribute concert. Most recently he has performed with Damon Albarn, David Byrne and Money Mark on a trans-Atlantic tour with the Atomic Bomb band.
Joe has been busy remixing and producing everyone from Kraftwerk and Kanye West to Jessie Ware and Disclosure and released the critically acclaimed ‘Harvest Festival’ album under his own name prior to the worldwide club smash ‘Gabriel’ which featured vocals from Valentino. Joe is co-founder of the Greco-Roman label and club nights and has just finished recording the follow up to the acclaimed ‘Be Strong’ from 2 Bears, due for release via Southern Fried in September 2014.
Al stayed on the road for the farewell tour with LCD Soundsystem and has released an album as New Build - a recording project with Felix as well as a soundtrack for HBO. The duo are set to release more music as New Build soon.
Hot Chip have contributed to the recent Donna Summer tribute album with an epic remix of ‘Sunset People’ and the William Onyeabor ‘Atomic Bomb’ album on Luaka Bop.
Why Make Sense? (2015)
If you’re looking for them, the clues are there in plain sight. Right there, in the glimmer and thump of opening track ‘Huarache Lights’, a looped mantra nails Hot Chip’s collective psyche six albums in. It’s simple but pensive:
“Replace us with the things that do the job better.”
It's both a bold call to arms and a statement of nagging doubt. If they've been too long in the game, if they need replacing, somebody else better get on with it - and it better be good.
Alexis Taylor explains: “I was trying to capture the feeling of excitement I get when hearing Joe’s new music for the first time, and collaborating with him on it. Huarache Lights are some trainers I love - but in the song they're a shorthand for something modern, something very London, and for the kind of escapism and fun of a Friday night at Plastic People - which is where we were heading to DJ when we were making that track. The record is about the excitement of choosing what you might wear, choosing which records you will play. But at the same time, it’s asking whether we as a band are getting old, whether people still care. The answer is meant to lie in the music.”
The questions ‘Huarache Lights’ posts should probably be asked by any band serious about facing the future. What do we mean fifteen years in? Is there a newer model waiting at the side of stage, readying to make us obsolete? And if there is, why do what’s expected of us anyway?
Such ideas sit at the heart of Why Make Sense?
It’s a Hot Chip album that restates the band’s intentions and redefines the very things that made them relevant in the first place. Its ten tracks shun modernist dancefloor tropes in order to flick through the dusty corners of the band’s teenage record collections, back when they were experimenting with music on primitive computer programmes. But the creative process behind this record could not have been more different to the one behind those early records like San Frandisco and Coming On Strong. Why Make Sense? represents the first time the Hot Chip live band has recorded together residentially (at the rural Angelic Studios). The core five-piece band of Alexis, Joe Goddard, Owen Clarke, Felix Martin and Al Doyle were augmented by their regular drummer Sarah Jones and multi-instrumentalist Rob Smoughton (a formidable live prospect who will this summer headline Green Man and Sonar festivals, having previously headlined such venues as the Hollywood Bowl).
Joe: “When we were recording, we were getting closer and closer to the sound we make on stage. That kind of freedom makes a massive difference to a few of the tracks on the album; to how the tracks grow. Our recording process has been slightly anachronistic. It’s kind of perverse. I guess a lot of the records that were an influence on the record were made in that way – with engineers and people that knew their craft. I guess I feel that that’s something that’s often missing from a lot of very modern records made on laptops in bedrooms.”
The result is a revelation. Alternately jarring and chaotic, pared back, thundering, then pulsating and gloriously mellifluous, the album confidently displays its influences: clattering analogue post-punk (‘Why Make Sense?’), Philly disco (‘Dark Night’), and outer-space acid dub (‘Easy To Get’). The crisp, snapping ’90s RnB of ‘Love Is The Future’ calls in guest spots from De La Soul’s Posdnuos and Scritti Politti’s Green Gartside on vocals and arrangements respectively. The record even eschews Alexis’ vocals in favour of a carefully chosen sample (from the 1983 Sinnaman single ‘I Need You Now’) that adds huge clout to the emotionally charged core of the album, ‘Need You Now’
Alexis: “‘Need You Now’ is a bit different to anything I’ve previously written about – it’s about the bleak reality of living in a world where terrorism exists in such a visible way. The track isn’t trying to solve anything, it’s just a recognition of the fact that it’s there and we’re helpless against it. Hot Chip songs are usually about relationships – either my own or my relationship to the music we make... ‘Need You Now’ comes from a more pessimistic place. It’s an attempt to condense down that sense of helplessness you get watching the news.”
Condensing both lyrics and music was a key technique in the making of Why Make Sense? – an anti kitchen-sink approach that has been gestating in the years since In Our Heads.
Joe: “Musically we all had a desire to strip things right down, not overload it with parts. It relates back to the idea of actually being a band – maybe just one guitar part and one live drum part rather than multiple layers added. Musically, it was an effort to bring a real directness to our music, the kind you’d get on old RnB records… Hopefully stripping things back brings more funk to the tracks.”
Funk runs deep through Why Make Sense? The unmistakable strutting sound of the clavinet drives ‘Started Right’, transplanting 1970s Stevie Wonder into a futurist soul backdrop. Elsewhere, tracks are augmented by a talkbox that’s as much Roger Troutman as it is Todd Rundgren.
Alexis: “It’s impossible not to think of Stevie when you hear a clavinet being played. We’re always into exploring possibilities of new bits of gear that we maybe haven’t used before. The talkbox in the studio was just as inspiring. We spent a lot of time going back to the RnB records we were listening to from the ’90s… they were records that quested after a pared down funk sound… Michael McDonald, G Funk…”
Joe: “A lot of this comes from the feeling that the RnB that’s being made now is washed with these drifting clouds of reverb. Those sounds seem designed to hide the fact that a lot of the music it’s drifting across is shit. I think these songs are us saying, ‘This is our take on RnB’. You could relate it to a history of ‘blue eyed soul’ where there’s a disconnect between the music and the people making it. Driving round Putney in a Peugeot with the windows down, the music you’re passionate about might not reflect who you are. Maybe at this point in our career, we’ve accepted who we are and that’s being reflected in the music. Oh well, we don’t make sense, we’re doing it anyway.”
It might not be an answer to the titular question but it does offer a strong sense of purpose. A strength that sustains one of the most singular, innovative writing partnerships in British music, and ensures that one of the best live acts on the planet continues to hone a sound that’s unique and unarguable, a sound that translates from nightclubs to festival stages without compromise. And it hammers home the notion that on the strength of Why Make Sense? – an unarguable creative peak - no one has built a machine that can replace Hot Chip yet.